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Palace of Arts Budapest Pipe Organ Samples

PAB Editions

Small $129 | Essential $199
Medium $499 / $399
Professional $899 / $799
New! Extended $1199 / $999

format: Hauptwerk 3

Palace of Arts Budapest (PAB) Pipe Organ Samples is a fully playable, freely configurable, intuitively manageable and MIDI-controllable virtual pipe organ, delivering the authentic sound of the 92-stop Pécsi-Mühleisen pipe organ of the Béla Bartók National Concert Hall of the Palace of Arts, Budapest, Hungary, to your computer.

Designed for operation within Hauptwerk™ software, on both PC and Macintosh computers, Palace of Arts Budapest Pipe Organ Samples sets a new standard in virtual pipe organs used by leading organists, professional musicians, professors and tutors, educational, worship and culture institutions, recording professionals and enthusiasts.

Despite its immense size and capabilities, it is a pipe organ you can play and take with you wherever you go, offering unprecedented flexibility and sound quality never heard before in a virtual instrument.

Did you know? The PAB organ has a dynamic range of over 80 dB and has out-of-the-box cathedral acoustics in Medium and Extended Editions.

See and hear PAB - Download the Trial Edition - Try now!

 

 

 

Key features

  • The organ
    • the 2006 Pécsi-Mühleisen pipe organ of the Béla Bartók National Concert Hall, Palace of Arts - Budapest, Hungary; entirely virtualized
    • 92 stops, 5 manuals (with 61 keys) and pedal (with 32 keys)
    • 2 sweller pedals, 2 tremulants (tremolos), 61-stage programmable crescendo with different independent program slots
    • 2 consoles (electrical Stage and mechanical Upper)
    • Equal tuning at concert pitch (a=442 Hz)
    • a symphonic organ to perform any piece of the entire pipe organ and symphonic literature without any compromise
  • The recording
    • High Definition Sampling (HDS) — all stops were sampled chromatically at 192 kHz / 24-bit
    • Advanced Pipe Organ Measurements (APM)
    • Synchronized Sampling Technology (SST)
  • The sample set
    • 48 kHz / 24-bit format, 2-channel stereo samples
    • Natural sound image — the samples contain all spatial information as they are heard
    • 12-second notes sampled, multiple loops per sample
    • 2 independent swellboxes
    • 2 tremulants
    • Optional organ engine sounds and noises
    • 'Semi-dry' sample set with multiple release samples for providing natural concert hall reverberation and tracker action sound
      • Cathedral acoustics in Medium and Extended Editions also available out-of-the-box
    • Programmable crescendo wheel with enable/disable option
    • Ability to disable reeds, mixtures or couplers from all Crescendo wheel programs
    • Touchscreen-optimized for 4:3 displays of 1280x1024 native resolution
  • The User Manual
    • contains a detailed guide to pipe organs, its mechanism and sound
    • provides you insight to the 2006 Pécsi-Mühleisen pipe organ
    • guides you to the Palace of Arts - Budapest and the Béla Bartók National Concert Hall
    • gives explanations of all stops of the organ
    • provides information on more than 80 different historical tunings (in Professional and Extended Editions)
    • contains a Guide to Room Acoustics focusing on pipe organs written exclusively for PAB Pipe Organ Samples (in Professional and Extended Editions)
    • and more
  • Shipping
    • PAB Extended Edition ships on an external USB hard disk drive for an ultra-fast installation
    • PAB Professional and Medium Editions ship on Inspired Acoustics USB thumb drives (pen drives) for a faster and convenient installation

Editions

PAB Pipe Organ Samples is published in five different editions: the Small, Essential and Medium Edition, featuring a selection of stops and features, the Professional Edition with all stops, and the exclusive Extended Edition with special and unique features. A freely downloadable Trial Edition, equivalent to the Small Edition with a time restriction is is also available.

Licenses for professional use

PAB Pipe Organ Samples, besides for end-users, was specifically designed to be used by professionals and on-site installations. Separate and multiple licensing for Institutional, Classroom, Worship and Commercial use are also available. If you are interested in such use, please visit the dedicated commercial license page and do not hesitate to contact us.

Editions

PAB Pipe Organ Samples is published in five different editions: the Small, Essential and Medium Edition, featuring a selection of stops and features, the Professional Edition with all stops, and the exclusive Extended Edition with many unique and special features. The table below shows a comparison of the different editions.

Feature
Trial Edition
Small Edition

Essential Edition

Medium Edition
Professional Edition
Extended Edition
Stops
15
15
23
45
All 92
All 92
Chromatically sampled
yes
yes
yes
yes
yes
yes
Multiple loops
yes
yes
yes
yes
yes
yes
Multiple releases
yes
yes
yes
yes
yes
yes
Custom Combination Action
yes
yes
yes
yes
yes
yes
Combination slots/frames
30
30
50
60
100
 1000
Programmable crescendo
1
1
1
1
2
4
All functions MIDI & GUI controllable
yes
yes
yes
yes
yes
yes
Single-page & multi-page touchscreen ready
yes
yes
yes
yes
yes
yes
Engine noise optional
yes
yes
yes
yes
yes
yes
Tremulants
no
no
no
yes
yes
yes
Sostenuto
no
no
no
no
no
yes
Pedal split
no
no
no
no
no
yes
Swellbox direction selection
no
no
no
no
no
yes
Programmable PL/TT
no
no
no
no
no
yes
Pedal to manual couplers and splits
no
no
no
no
no
yes
Concert Hall Acoustics
yes
yes
yes
yes
yes
yes
Cathedral Acoustics (sCSA)
no
no
no
yes
no
yes
Personal License
Free
yes
yes
yes
yes
yes
Academic Discount for personal use (from 2009)
yes
yes
yes
yes
yes
yes
Institutional, Worship and Commercial License
no
no
no
yes
yes
yes
Product customization service          
yes
Retail box price (personal license)
-
-
-
$499
$899
$1199
Download price (personal license)
Free
$129
$199
$399
$799
$999
Delivery
Download
Download
Download
Retail box / Download
Retail box / Download
Retail box / Download
Installation packages
2
3
3
6 + 6
9
9 + 9
Size (GB)
6
8
9
32
33
68 
Available
yes
yes
yes
yes
yes
yes

*included with the license for the Professional Edition.

The Extended Edition originally ships with two types of acoustics, the sCSA cathedral acoustics and the original concert hall acoustics. Customized acoustics for the Extended Edition is available on request.

The Medium Edition contains an additional, free longer cathedral acoustics (CSA) reverberation in 6 downloadable installation packages accessible to registered users in addition to the shipping sCSA (a shorter reverb) and concert hall acoustics.

The free Trial Edition is equivalent to the Small Edition in all of its features except that the Trial Edition has a time-limited functionality of producing sound up to 15 minutes each time it is loaded, and disabling its sound output for a short time temporairly and occasionally within that period.

Improvisations features of the Extended Edition

  • Sostenuto, independently switchable for all manuals and pedal; holds a note or a chord until you play the next
  • Pedal Split with freely assignable split key; allows you playing two voices on the pedal with different stops by splitting the pedal into two virtual divisions, one using the pedal stops and one using the pedal couplers

Convenience features of the Extended Edition

  • Swellbox pedal direction selector, which allows you selecting the operation direction of the pedals for the enclosed stops
  • Programmable Tutti and Plenum, to program anything you wish to the foot pistons TT and PL with the custom combination action

Compatibility features of the Extended Edition

  • Pedal-to-Manual couplers, to play the pedal stops on any manual with sounds coupled to the manual
  • Pedal-to-Manual splits, to play the pedal on any manual with sounds split on the manual
  • 100 MIDI-assignable direct combination selector shortcut buttons for providing even more compatibility with existing MIDI organ consoles

Product customization service for the Extended Edition

  • In case you would like to have your Extended Edition with customized acoustics, we would be happy to provide you with a presonalized sample set following your requirements. For the details, please proceed to this page.

Upgrade options

Upgrading your current edition to the next is easy, flexible and cost effective. To find out the details, please visit our Webstore's Upgrade section.

Contents

PAB Professional and Extended Editions contain all stops and couplers of the 2006 Pécsi-Mühleisen organ. Its complete disposition (stoplist) is as follows:

Pedal (C-g') I.  Manual, Grande orgue (C-c'''') II.  Manual, Positif expressif (C-c'''')
Majorbass 32' Montre 16' Quintatön 16'
Soubasse 32' Principal 8' Principal 8'
Principalbass 16' Flute harmonique 8' Cor de nuit 8'
Contrebasse 16' Gamba 8' Unda maris 8'
Violon 16' Bourdon 8' Salicional 8'
Soubasse 16' Praestant 4' Flute traversiere 8'
Grossquinte 10 2/3' Rohrflöte 4' Praestant 4'
Octavbass 8' Quinte 2 2/3' Flute conique 4'
Gedäckt 8' Superoctave 2' Quinte 2 2/3'
Cello 8' Cornet 2-5x 8' Doublette 2'
Octave 4' Mixtur 5-7x 2 2/3' Terz 1 3/5'
Tibia 4' Cimbel 4-5x 1 1/3' Larigot 11/3'
Tercsept 2x: 6 2/5' Trompete 16' Piccolo 1'
Zinck 3x: 5 1/3' Trompete 8' Mixtur 4-6x 2'
Compensum 7x 2 2/3' Trompete 4' Septnon 2x 8/9' + 1 1/7'
Mixtur 4x 2 2/3'' I+IV m. Basson 16'
Bombarde 32' I+IV e. Dulzian 16'
Bombarde 16' I+III m. Trompette 8'
Basson 16' I+III e. Cromorne 8'
Trompete 8' I+II m. Clarinette 8'
Clairon 4' I+II e. Tremulant II.
P+IV m.   II+III m.
P+III m.   II+III e.
P+II m.   II+IV m.
P+I m.   II+IV e.
     
     
III. Manual, Récit expressif (C-c'''') IV. Manual, Solo (C-c'''') V. Manual, Chamaden (C-c'''')
Violon 16' Rohrbourdon 16' Chamade 16'
Gedeckt 16' Principale 8' Chamade 8'
Geigenprincipal 8' Konzertflöte 8' Chamade 4'
Flute harmonique 8' Voce humana 8' IV+V
Gamba 8' Nasard 5 1/3' III+V
Voix céleste 8' Octave 4' II+V
Aeoline 8' Tierce 1 3/5’ I+V
Bourdon a cheminée 8' Septieme 2 2/7' P+V
Violine 4' Flute 2' IV+IV 4'
Flute octaviante 4' Sesquialtera 2 2/3' + 1 3/5' IV+IV 16'
Nasard 2 2/3' Plein jeu 3-5x 2 2/3' III+III 4'
Octavin 2' Cor anglais 8' III+III 16'
Tierce 1 3/5' Tuba mirabilis 8' II+III 4'
Progressio 2-4x 2' Walze II+III 16'
Cymbale 4x 1' Koppeln aus Walze I+IV 4'
Bombarde 16' Mixturen aus Walze I+IV 16'
Basson-Hautbois 8' Zungen aus Walze I+III 4'
Trompette harmonique 8' P+IV e. I+III 16'
Voix humaine 8' P+III e. I+II 4'
Clairon harmonique 4' P+II e. I+II 16'
Tremulant III. P+I e. P+IV 4'
III+IV m.   P+III 4'
III+IV e.    

Contents of the smaller editions

Apart of the stops below, all smaller editions features all couplers and their relevant couplers. The Small and Essential Editions are virtually 2-manual organs with pedal, while the Medium Edition is a 3-manual organ with pedal.

Small Edition and Trial Edition Essential Edition Medium Edition
(15 stops, 2 + P) (23 stops, 2 + P) (45 stops, 3 + P)
     
Pedal (C-g')
Soubasse 16' Principalbass 16' Principalbass 16'
Octavbass 8' Soubasse 16' Contrebasse 16'
  Octavbass 8' Soubasse 16'
  Gedackt 8' Octavbass 8'
  Octave 4' Gedackt 8'
  Basson 16' Octave 4'
    Mixtur 4x 2 2/3'
    Basson 16'
    Bombarde 16'
    Trompete 8'
I.  Manual, Grande orgue (C-c'''')
Principal 8' Principal 8' Montre 16'
Bourdon 8' Bourdon 8' Principal 8'
Praestant 4' Praestant 4' Flute harmonique 8'
Rohrflöte 4' Rohrflöte 4' Gamba 8'
Superoctave 2' Superoctave 2' Bourdon 8'
Mixtur 5-7x 22/3' Mixtur 5-7x 22/3' Praestant 4'
  Cimbel 4-5x 11/3' Rohrflöte 4'
  Trompete 8' Quinte 22/3'
    Superoctave 2'
    Cornet 2-5x 8'
    Mixtur 5-7x 22/3'
    Cimbel 4-5x 11/3'
    Trompete 8'
    Trompete 4'
II.  Manual, Positif expressif (C-c'''')
Cor de nuit 8' Cor de nuit 8' Principal 8'
Flute traversiere 8' Flute traversiere 8' Cor de nuit 8'
Salicional 8' Salicional 8' Salicional 8'
Flute conique 4' Flute conique 4' Flute traversiere 8'
Quinte 22/3' Quinte 22/3' Praestant 4'
Doublette 2' Doublette 2' Flute conique 4'
Cromorne 8' Terz 13/5' Quinte 22/3'
  Mixtur 4-6x 2' Doublette 2'
  Cromorne 8' Terz 13/5'
    Larigot 11/3'
    Mixtur 4-6x 2'
    Trompette 8'
    Cromorne 8'
    Tremulant II.
III. Manual, Récit expressif (C-c'''')
    Gedeckt 16'
    Geigenprincipal 8'
    Bourdon a cheminée 8'
    Gamba 8'
    Voix céleste 8'
    Flute octaviante 4'
    Octavin 2'
    Basson-Hautbois 8'
    Tremulant III.

Details

Palace of Arts Budapest (PAB) Pipe Organ Samples is a fully playable, freely configurable, intuitively manageable and MIDI-controllable virtual pipe organ, delivering the authentic sound of the 92-stop Pécsi-Mühleisen pipe organ of the Béla Bartók National Concert Hall of the Palace of Arts, Budapest, Hungary, to your computer.

Designed for operation within Hauptwerk™ software, on both PC and Macintosh computers, Palace of Arts Budapest Pipe Organ Samples sets a new standard in virtual pipe organs used by leading organists, professional musicians, professors and tutors, educational, worship and culture institutions, recording professionals and enthusiasts.

Despite its immense size and capabilities, it is a pipe organ you can play and take with you wherever you go, offering unprecedented flexibility and sound quality never heard before in a virtual instrument.

The organ

The Hungarian symphonic concert hall organ of the Béla Bartók National Concert Hall in Budapest is one of Europe's newest and most prestigious instruments. It was jointly built in 2006 by two companies, the Hungarian Pécsi Orgonaépítõ Manufaktúra, and the German Werkstätte für Orgelbau Mühleisen. The building process was monitored by a team of international concert organists and organ experts: Professor István Baróti, titular organist of Hungary's largest cathedral, leading the design of the instrument's disposition (sonic characteristics), with internationally acclaimed organist László Fassang and Mühleisen providing advisory roles.

The hugely versatile instrument, with its wide range of stops, permits the authentic performance of music from the Renaissance to the Avant-garde without compromise, and is well-suited to symphonic repertoire of all eras. Uniquely, in a World-first, this instrumental masterpiece was built simultaneously with the concert hall itself. It has 5 manuals of 61 notes, 32-key pedalboard, 92 stops, 6804 pipes and 2 complete consoles, one mechanical, and one electrical that can be placed anywhere on the concert hall stage.

.: Pictures from the gallery

Editions and versions

There are five different editions of this virtual pipe organ ranging from a small instrument to the deluxe limited-release exclusive edition.

Extended Edition and Professional Edition

The flagship Extended Edition of the PAB Pipe Organ Samples is designed to provide maximum flexibility. All 92 stops, sampled note-by-note chromatically are included and fully playable, along with unique features such as the graphical user-interface-controllable sequencer (combination action), the optional out-of-the box cathedral acoustics and advanced controls for improvisation such as the Sostenuto or the Pedal division (split). The Professional Edition also contains all 92 stops but ships with the original concert hall acoustics only and some of the advanced features are only available in the Extended Edition. A detaild comparison can be found at the Editions tab on this page. With the both of these editions you are free to explore the entire pipe organ literature, including solo and symphonic pieces, as well as improvisation, teaching and practice.

Small, Essential and Medium Editions

The Small, Essential and Medium Editions are smaller releases of the orginal pipe organ with a portion of stops professionally selected by leading organists. The Small Edition contains 15 stops allowing you to play organ pieces mainly of the baroque literature. It is a highly cost effective edition with minimum computer demand, it most likely runs smoothly even on your notebook compter. The Small Edition is recommended for anyone who is willing to play portions of a large symphonic organ without the investment in a performance computer. The Essential Edition contains 23 stops and allows you to play more pieces from the organ literature with a wider variety of stops. The Medium Edition contains 45 stops, almost the half of the full organ, and allows you to play romantic pieces as well but with only a moderate demand on computer power. The Medium Edition comes with optional out-of-the-box cathedral acoustics for the ultimate experience. All of these editions feature the same graphical interface as the Professional Edition, but with the convenience that the available stops are highlighted for easier operation.

Did you know? With the features equivalent to the Small Edition, a time-limited Trial Edition is also available as a free download at the Downloads page.

.: Pictures from the gallery

The sample set

The real pipe organ has been entirely virtualized, including all sounds of all of its pipes, all functions including the original combination action, its unique features and the versatile crescendo wheel, with programmable functions for subtraction of reeds, mixtures or coupler during real-time play. All virtualized functions are matched to Hauptwerk for easy control.

.: Pictures from the gallery

Sample format

The final sample set has been made available in 48 kHz / 24-bit 2-channel stereo format. Multiple, lengthy loops were carefully selected for each 12-second sample. The samples are in stereo, which means the image of the sound is preserved completely and accurately. This is very useful for those intending to create recordings, since the virtual instrument delivers the appropriate spatial sound image without need of any adjustment — no artificial panning or approximations were used in the creation of the library: what you hear is exactly the same as the reality. On the other hand it is also very easy to configure Hauptwerk to direct the sound output into a great number of loudspeakers, reducing the effects of loudspeaker intermodulation distortion.

Acoustics - the semi-dry advantage

Due to the fact that this instrument is located in a concert hall, the library is termed “semi-dry”, meaning that it is perfectly applicable for both dry and reverberant places. Unlike other sample sets where church acoustics is fixed to the sound, the samples in PAB ideally works together with any type of reverberation whether it is natural, such as a real installation in a reverberant space, or artificial such as a reverberation software, and it is you who can choose whether to perform or compose using the original concert hall acoustics or apply reverberation.

Acoustics - out-of-the-box cathedral reverberation

The Extended and Medium Editions of PAB are shipping with optionally selectable cathedral acoustics for playing convenience and instant cathedral organist experience. No further equipment or software is required, the provided 6-second tail release samples (holding samples with a reverberation time of about 4.5 seconds) comes out-of-the-box. The cathedral reverberation available in three independent release sample layers for each note and the reverb is made so that it spatially matches the original concert hall semi-dry pipe organ recording. Inspired Acoustics' proprietary CSA technique was used to allow this and the result corresponds to the impression what organists hear from the organ loft when playing: the clarity of the instrument is preserved while an impressive cathedral ambience accompanies the sound. The cathedral reverberation is achieved based on the measurement data of a real cathedral in Hungary so the cathedral reverberation is a natural sound, but it is completely noiseless in its full range of decay. You can read more about the process at the CSA page of the Inspired Acoustics Knowledge Base.

Acoustics - Multiple release samples

Multiple release samples provide realistic, note-off-triggered pre-recorded reverberation for different lengths of notes. For example, a short note, with sound not fully developed will produce a different reverberation than a long sustained note. This quality is preserved in the sample library by providing multiple release sample layers. Additionally, the Medium and the Extended Edition features out-of-the-box cathedral acoustics which were created by using Inspired Acoustics' proprietary CSA technique, also featuring independent release layers for different length of notes.

Multiple loops

Multiple loops are provided for each sample. Triggered by Hauptwerk to play back randomly, this elaborate looping results in sustained notes of unmatched realism. The loops were calculated in a well-planned way, yielding both shorter and longer loops for each sample. This provides the option for you of controlling the computer memory (RAM) consumption when loading the organ: by selecting only the first, shorter loops, you will be able to save a significant amount of RAM, thus permitting the loading of more samples (ranks). The short loops are constructed in such a way as does not impact the overall sound quality. 56% of the samples have three independent loops markers defined within them, 41% have two, while the remaining 3% have markers ranging from one to eight, according to the complexity of the notes.

Advanced Graphical User Interface (GUI)

The graphical interface of this organ is unique in many ways. First of all, the consoles were completely modelled in 3D and the interface was implemented in a non-orthographical, perspective console view that is fully photo-realistic and operational at the same time. The keys move while you play, and every button responds appropriately to your actions. The 1280 x 1024 native resolution of the interface is optimized for today's common touchscreens. Both multiple- and single-screen operation is possible: the large number of stops can be operated conveniently from a wide choice of interface pages displayable on multiple touchscreens. Alternatively, convenient single screen operation is also provided.

Unique and special functions

Touch-controlled Combination Action

In a revolutionary first, PAB Pipe Organ Samples offers a completely independent combination action that can be controlled directly from the graphical interface by touchscreen or conventional mouse control. This feature,not yet directly supported by Hauptwerk, was developed using an independent combination action logic, greatly increasing playing convenience while facilitating its use in educational or live situations. The saving and loading of combination frames is just as easy as with Hauptwerk's built-in combination action.

Programmable crescendo with multiple programs

The programmable crescendo is provided through a graphical extension that makes for convenient custom setting of the 61-stage crescendo wheel programs. The Professional Edition ships with two original crescendo programs, those programmed into the real instrument. You can change the choice of program in use by pushing a single button even while playing. You can enable and disable the crescendo wheel with a special stop located within the stop tabs, and it is possible to temporarily disable Reeds, Mixtures and even Couplers from any crescendo state at any time — again with a single click or touch.

Reeds enabler

The button named Zungen allows you to temporarily disable or re-enable all reed stops from any combination you are using. This is a very useful feature of large organs and can be used in many situations.

Optional engine sounds and mechanic noises

The organ engine in Palace of Arts Budapest Pipe Organ Samples is an optional noise source that you can enable or disable according to your preference. For recording engineers extreme-quality pipe organ recording is made possible since the noise is completely removed from the recording. For those who seek ultimate realism, you can turn on the organ engines, also enabling the sounds of the mechanical action when changing combinations.

Encryption and CODM

The sample set comes in a Hauptwerk-specific encrypted format. Modification or disassembling the organ contents through the CODM interface of Hauptwerk is not supported since the variety of functions, the large number of couplers and manuals and the availability of PAB's special built-in combination action already offers most of the functions the CODM interface may offer. The complexity of the Organ Definition File shipping with PAB is uniquely high and building custom variants requires a certain amount of special expertise. Legally, the end-user license of PAB is permitting using the samples as a whole, as they ship. If you are planning a custom or commercial application that requires a different setup what PAB offers now, please contact us for a customization.

Unveiled features

There are more unique and special features that will be unveiled soon.

The User Manual

The User Manual for PAB Pipe Organ Samples guides you through the fascinating history and details of the magnificent Pécsi-Mühleisen instrumental masterpiece, unveils features of the Béla Bartók National Concert Hall, contains an explanation of stop names available on this organ, lists more than 80 different historical tunings, and provides you tips and hints on how to use best the library.

In yet another first, the User Manual introduces a Guide to Room Acoustics focusing on pipe organs written by Csaba Huszty exclusively for PAB Pipe Organ Samples in a comprehensive yet easily readable form.

The recording

High Definition Sampling (HDS)

Recording of this instrument was conducted following thorough acoustic measurements in the concert hall. All pipes were recorded with the same recording equipment, under the same acoustic and physical conditions, entirely at 192 kHz / 24-bit.

Advanced Pipe Organ Measurements (APM)

Inspired Acoustics' APM technology was developed to measure inner sound properties and characteristics of the pipe organ. APM is used to capture the sound characteristics of swellboxes, case behavior and actual equipment setup accurately.

Synchronized Sampling Technology (SST)

Real pipes behave differently in terms of sound buildup, and it is not possible to accurately determine the correct timing of the sample playback start-of-note without due care. Inspired Acoustics' SST is a technology developed to record an instrument so that note starts are sample accurate, meaning that both the sound buildup and the delay introduced by the distance of each pipes are flawlessly preserved.

You can find more about the pipe organ in the Inspired Acoustics Knowledge Base.

Availability and shipping

Uniquely, instead of shipping on tens of DVD discs, retail box editions of PAB Pipe Organ Samples ship on more conveniently usable medium. The Extended Edition, due to its nearly 70 GB of size, ship on an external Hard Disk Drive while the Medium and Professional Editions ship on thumb drives (pen drives), allowing for smooth and convenient installation.

About the creation of PAB

Preparations for creating PAB included initiation and implementation of a broader cooperation between Entel/Inspired Acoustics and the Palace of Arts – Budapest. Being introduced to the instrument from the late phases of its building and voicing and following nearly 2 years of preparation, organization and planning the recording effort itself commenced in September 2007. On-site preparations included a custom acoustic setup of the hall, involving repositioning of the 40-ton stage canopy and 10-ton reverberation chamber doors along with all curtains to a location we specifically desired. All together a net amount of 640 GB of sample data was recorded with the exact same equipment and recording setup. Extensive post production started parallel with the recordings and the creation of the complete library, all together, has taken more than 12,000 working hours.

 

System requirements and recommendations

It is intended (and required) that the PAB data library be operated on host software called Hauptwerk. Hauptwerk can be purchased separately and is required for operating this virtual instrument.

.: System requirements for PAB
Platform PC/Mac
Host software Hauptwerk version 3.21 or later
Hauptwerk Advanced Edition is recommended for PAB Medium, Professional and Extended Editions
CPU Dual-Core is required
Quad/8-Core/Xeon 5400 series or later or equivalent or better is recommended
Sound card ASIO compatible recommended

For further information, please refer to Hauptwerk's detailed requirements on Hauptwerk's website.

Detailed RAM guidelines

Hauptwerk loads all its samles in the computer's RAM, and several loading options are available for you in Hauptwerk to set the sound quality affecting the RAM requirements according to your computer's specification. PAB was specifically designed and post processed in such a way that, despite its extraordinary size it will load successfully even on previous computers. We recommend using Hauptwerk's built-in lossless memory compression to reduce the loading size. Please find the summary of the RAM requirements with their corresponding quality options Hauptwerk offers for a selection below.

.: RAM requirements for PAB Extended Edition (cathedral acoustics)
  Loading setup
Losless memory compression enabled
Bits
Multiple Loops
Multiple Releases
Subjective Quality
Required RAM (3 layers)
Required RAM (2 layers)
  Full organ, 92 stops
yes
16
all
all
almost maximum
17.3 GB
14.5 GB
Recommended Full organ, 92 stops
yes
16
first
all
nearly maximum
12.6 GB
9.9 GB
  Full organ, 92 stops
yes
16
first
one layer
high
7.1 GB
7.1 GB

.: RAM requirements for PAB Professional Edition (concert hall acoustics)
  Loading setup
Losless memory compression enabled
Bits
Multiple Loops
Multiple Releases
Subjective Quality
Required RAM
 
  Full organ, 92 stops
yes
24
all
all
maximum
24.1 GB
 
Recommended Full organ, 92 stops
yes
16
all
all
almost maximum
12.8 GB
 
Recommended Full organ, 92 stops
yes
16
first
all
nearly maximum
8.2 GB
 
  Full organ, 92 stops
yes
16
first
one layer
high
5.6 GB
 
  Full organ, 92 stops
yes
16
first
all, simulated dry (250 ms)
for applying reverberation
4.5 GB
 
   
 
 
 
 
 
 
 
  Manual 1: Great Organ
yes
24
all
all
maximum
4.9 GB
 
16
almost max.
2.8 GB
 
  Manual 2: Pos. expr.
yes
24
all
all
maximum
6.4 GB
 
16
almost max.
3.5 GB
 
  Manual 3: Réc. expr.
yes
24
all
all
maximum
6.5 GB
 
16
almost max.
3.6 GB
 
  Manual 4: Solo
yes
24
all
all
maximum
4.3 GB
 
16
almost max.
2.5 GB
 
  Manual 5: Chamade
yes
24
all
all
maximum
1.4 GB
 
16
almost max.
1.0 GB
 
  Pedal
yes
24
all
all
maximum
3.4 GB
 
16
almost max.
2.0 GB
 

.: RAM requirements for PAB smaller editions
  Loading setup
Losless memory compression enabled
Bits
Multiple Loops
Multiple Releases
Subjective Quality
Required RAM
  Small & Trial Editions, 15 stops
yes
24
all
all
maximum
4.4 GB
Recommended Small & Trial Editions, 15 stops
yes
16
all
all
almost maximum
2.4 GB
  Essential Edition, 23 stops
yes
24
all
all
maximum
6.4 GB
Recommended Essential Edition, 23 stops
yes
16
all
all
almost maximum
3.5 GB
  Medium Edition, 45 stops
yes
24
all
all
maximum
12.3 GB
Recommended Medium Edition, 45 stops
yes
16
all
all
almost maximum
6.6 GB
Recommended Medium Edition with CSA cathedral acoustics, 45 stops
yes
16
first
all
almost maximum
6.9 GB

Please note: these are the requirements just for the organ itself to load but Hauptwerk's own memory consumption is also included in these figures. Some additional RAM (usually 1 to 2 GB depending on your hardware and software configuration) may be required for the operating system itself, and is not included.

Also note that Windows Vista is capable of loading more content than your available RAM: it will use all the RAM you have and it will load (page) the rest to your hard drive and read it once the sound is needed (played). In some cases this will cause glitches in the sound when played in realtime since the hard drive is slower than RAM, but this makes the full library usable in offline music composition and recording even if you do not have the required amount of RAM.

Computer upgrade information for experts

If you are about to upgrade your computer now and you wish to build a capable new PC, you may find it useful to know we have loaded the full organ (16-bit, all loops and releases) using an Intel Core 2 Quad Q9450 and 16 GB of DDR2 RAM running Windows Vista Business 64-bit. When you buy or assemble a new computer, please make sure that both your motherboard and your operating system support the amount of RAM you plan to use in your system. Motherboard makers provide the maximum amount of installable RAM on their websites, but note that common desktop motherboards have 4 RAM slots, requiring a 4 GB RAM module in each to reach 16 GB. Be aware that 4 GB of RAM is usually sold in two or four modules rather than one, but you will need it in one module in this case, if you intend to install the full 16 GB RAM. Once you have the RAM, please make sure you select the appropriate Operating System. You can check the maximum amount of RAM supported by different versions and editions of Microsoft Windows operating system here. If you are unsure about the details, please ask an expert.

For Mac users: please ask an authorized expert how your system can be upgraded.

If you are about to build a new computer for PAB and Hauptwerk, we recommend that you utilize the latest technology available. Regarding RAM we recommend using high-speed, low-latency modules. With 16 GB of RAM you can use and load PAB in a very good quality. Regarding CPU, we recommend either one of the latest 4-core processors (e.g. from the i7 series) or even better, 8 cores (either from the i7 series or from the Xeon series by using two discrete CPU's for example). Make sure that the CPU you select has a large amount of L2 Cache, this is very important to have a good performance. Today, even workstation computers can accept 16 GB or more RAM and there are motherboards that can take more than one CPU at a time. Newer motherboards usually offer 6 memory slots (older motherboards accept 4) so if you do not wish to have 16 GB of RAM, you can still add 12 GB of RAM using 2 GB DDR 3 modules quite cheaply in those newer motherboards.

More details and examples of working computer setups and recommendations can be found at the Inspired Acoustics Knowledge Base.

Demos

  • Trial Version — A downloadable Trial Edition containing 15 stops is available for anyone equipped with any edition of Hauptwerk v3.11 or later to try. The free Trial Edition is equivalent to the Small Edition in all of its features except that the Trial Edition has a time-limited functionality of producing sound up to 15 minutes each time it is loaded, and disabling its sound output for a short time temporairly and occasionally within that period. Get it here >
  • Sound and video demos — If you would like to listen to demos instead, please proceed to the expanding list of Demos >


 

Featured installations and notable users

Palace of Arts, Budapest, concert hall lobby - an Organ Simulator for all

One of the most prestigious installation of a customized version of the Palace of Arts Budapest Pipe Organ Samples to date, Inspired Acoustics installed an Organ Simulator at the Béla Bartók National Concert Hall's lobby, available twentyfour hours a day to the audience. The two-manual plus pedal equipped specially designed console, the touch screen interface and the rich multimedia software showcases the real organ interactively.

More picture and information at the Organ Simulator page.

Conservatório de Música da Jobra - one of the largest professional Hauptwerk installations ever

One of the largest Hauptwerk installations so far at a 200 seat modern auditorium in a music school in Portugal, Conservatório de Música da Jobra (CMJ) will be finished in February 2009. CMJ's organ console features 4 manuals and pedal, 76 lighed drawbar stops and a 120-step sequencer, and was made in the Netherlands by Content, under custom specifications. The virtual pipe organ to implement in CMJ’s auditorium will be the Palace of Arts Budapest Pipe Organ Samples. More information at the Inspired Acoustics Knowledge Base.

User reviews

  (10/10)
Palace of Arts Budapest Pipe Organ Samples - July 3, 2010
Stephen Eppley (Boynton Beach, Florida)
I purchased the Extended version of the PAB organ and it is well worth every penny. Listening stop by stop is marvelous and the ensemble is just outstanding. The first piece I played after installation was Lemmens famous Fanfare and with the build-in Cathedral Acoustics!!! - WOW!!
The new technology coupled with the advances in these sample sets has really swayed me insofar has comparing a real pipe organ with the sampled version. I happen to own a 18 rank Moller Pipe Organ which I have not been able to install since moving to South Florida (space limitations) and although I still miss the real pipes, I have to say that the digital samples are nothing short of outstanding and I can also have a much larger organ than would be possible with real ranks - how many installs could boast over 100 ranks? The products are great - KEEP THEM COMING INSPIRED ACOUSTICS!! I think my next purchase will be the Matyas organ. Once again, EXCELLENT products, and the detail about them is by far the best and most comprehensive of all the websites I visited thus far.
Steve E.
  (10/10)
Palace of Arts Budapest Pipe Organ Samples - August 16, 2009
Attila Pasztor (Budapest)
Let me start with a few words about myself: my name is Attila Pásztor, I have a degree in electrical engineering and in teaching IT. Currently I am mostly teaching IT in a high school for talented children (in the Fazekas Mihály Secondary School) in Budapest, Hungary. Besides my science studies, I have been learning the organ and of course, the piano for 10 years. Between 1989 and 1998, as the organist of the Zoltán Kodály Hungarian Choir School, during the tours I had the chance to play many-many organs in the U.S., England, Germany, Austria, the Czech Republic, Italy and Belgium. In my free time, in the week-ends, I am performing organ duties in several churches.

I have been planning for years to have an organ at home for practice. An instrument with real pipes was out of the question because of the neighborhood; and I did not like the sounds, the stop sets and the quality of the materials in the console of the electronic organs I could afford (with 3 manuals and about 40 stops). I felt that no middle-class electronic instrument is adequate to play a wide range of organ literature.

I met the Hauptwerk software first in 2008 and by using the resources on the Web (demos and forums) I decided to create (to have manufactured) a 4-manual console with a pedalboard. Unfortunately, I could not afford the excellent manuals of Laukhuff (used widely in Europe), so I ended up using the manuals of the Canadian Classic Midi Organ Works. The pedalboard, the bench and the console was made by Váradi and Son Organ Builders http://www.varadi-orgona.hu/html_eng/main_eng.htm, who I was working together with on many organs (I helped creating the microcontroller-based controls). I think they made a beautiful console, you can find pictures at http://www.aticomp.eu/orgona/pictures.html.

My first sound sample library was the Litomysl (if I remember correctly, this was the only 4-manual library), followed by the Notre Dame de Metz Extended, Zwolle and most recently PAB (Professional, then Extended). I like playing Bach on the Zwolle library and Franck on the Metz, but for about half a year I have been only using PAB, and I hope you’ll soon understand why. The above-mentioned libraries feature wet samples, which is really good for the listener (if not listening for a long time), they even cover a few small mistakes of the performer but they are not ideal to learn the pieces. The performer usually sits at a console much closer to the organ, and hears the instrument in a different space than those for CD recordings. So far I have seen only two instruments where a console is placed in the middle of the audience (the Synagogue in Budapest and the Church of St. Eustache in Paris). There it is almost impossible to play fast pieces evenly. Wet samples sound cool only in an acoustically neutral space (such as a room), they are unenjoyable already in a classroom.
I do not like the totally dry samples, either, because in the recordings made extremely closely, the characteristics of the pipes are very different (whoever tuned an organ, could experience this). The acoustic modeling of the mass of the pipes and the organ case could help but I know of no such developments.
Using semi-dry samples having only a small amount of (concert hall) reverb, such as PAB, you can learn the pieces very well (you can hear the uneven fingering, phrasing mistakes, etc). And to give a true-life performance of the pieces learnt, all you need is either the PAB Extended sCSA (offering a church reverb by default), or an adequate reverberation program. This latter one has the advantage that everyone may set up the reverberation parameters according to their own taste and requirements, and it also puts a lighter load on the computer. I use a second computer (of less power) for the subsequent reverberation (the sound is transmitted digitally), and the cost of the necessary programs (Plogue Bidule and Knufinke SIR2) is low even compared to a sound sample library.

A few thoughts on the organ of the Palace of Arts:

The organ of the PAB is one of the largest concert organ in Europe (5 manuals, 92 stops, double action), which is placed in a concert hall with variable acoustic parameters. You can find more information about the organ at http://www.mupa.hu/orgona.jsp (in English). The organ is a modern ‘symphonic organ’ and I have the honor of knowing the Hungarian designers of it personally. In my opinion, this instrument is adequate to perform all the existing organ literature without any major compromises. Artists giving concerts (Olivier Latry, Philippe Lefebvre, Thierry Escaich,...) praised the organ highly, mentioning that a concert instrument of this size must be registered and played differently than a medium-sized church instrument.
The manufacturers of the organ solved the issue of having an impressive sound in a somewhat dry concert hall (most naturally, I heard the instrument myself as I live in Budapest). I am only missing a Trompete 4’ in the positive work and a glockenspiel – never a bigger problem!

To me the expression ‘symphonic organ’ means that this instrument is capable of bridging the various periods in the history of music. The stop set and the voicing allows defining a medium-sized (35-stop) neobaroque (http://www.aticomp.eu/orgona/pabnb.jpg) and a 60-stop French Romantic (http://www.aticomp.eu/orgona/pabfr.jpg) instrument as well. The pictures show the settings for the couplers, the tremulants and the string stops. If you have the PAB library, listen to the ‘sound sets’ shown in the picture (without the tremulants, the Voce Humana and the Unda Maris). They sound to me quite like the above-mentioned instruments.

The sample library created from the instrument keeps the huge dynamic and rich voice range of the organ. The difference between a single note of the quietest stop and the tutti is about 80 dB. Naturally, the sound samples of smaller instruments cannot have such a wide dynamic range. If you have the necessary tool, you can even measure it. The huge dynamism of PAB cannot really be enjoyed in a room with speakers (especially if you have neighbors); perhaps if you use excellent headphones. Because of this, one usually normalizes the organ samples (sets the sound system) so that you can ‘survive’ the tutti, which, unfortunately, results in having some of the stops of libraries with a large dynamic range very quiet in themselves. Unfortunately, the human ear tends to hear the quiet sounds also of less color.
It is an interesting experiment to listen to multiple sound sample libraries by setting the amplitude of a note of the Principal 8’ of the main work to the same level (e.g. by using the gain meter in the software of the sound card). If you try this, you will hear that some of the stops in the PAB have a real character (only that you have not heard it before).
I would not like to make comments on the mensure and voicing features of the different organ builders; and I cannot decide whether a Cavaillé-Coll organ is better than a Schnittger. None of these people can build organs today. Nor can I know what Bach or Franck would say about e.g. the PAB organ (but I know that Bach ‘left no stone unturned’ to try any new organs). I am always happy when I can use an instrument with clear sounds, when there is a variety of stops and the noise of the action does not suppress the sound played (I am talking about real instruments now). I had played an organ with pneumatic action and Barker levers action for two years and I do not long to be back. I am happy that the couplers (marked ‘e’) are not additive (P+I and I+II does not mean automatically P+II).

In my opinion, the PAB sound sample library has the following advantages:

The graphical interface of the library is very sophisticated (I think currently it is standing far out).
All the console features are implemented. It is extremely useful that the direction of the sweller pedal can be reversed (I can get used to the organ I will play). It can be used perfectly with one monitor; with two monitors it offers a photorealistic look; the reverse couplers (pedal-to-manual) and the 100 direct combination frame selector buttons can also be useful for many. In the console view the features are exactly as in the original electronic console. The LED displays also truly follow the original instrument, with an exemplary aesthetic and operational quality. Pipe organ sound libraries made for the Hauptwerk platform often claim to preserve the values embodied in the instruments, which in my case means not only preserving the sound but also a functionally true implementation of the console features and a sophisticated graphical interface. When talking about preserving the sound, for me the really important part is to preserve the sound of the organ and not the acoustics, the sound as heard at one point in the church. That is why I prefer semi-dry sound libraries.

The modeling of the original combination system of the organ is also exemplary, the registration is much easier. Please note how difficult it is to store the same registration multiple times so that you can use the built-in virtual combination system of Hauptwerk, as that is only capable of stepping through the virtual combinations during play (beside the 8 starting values). I feel very sorry that even the latest Hauptwerk version (3.23) does not include a modern combination system (considering Europe, such as the one in PAB) that would not depend (greatly) on the sample library.

Pedal division allows to use only the pedal couplers above a certain division point, and below that only the pedal stops. Together with the sostenuto function it can be useful when improvising.

The two swellboxes offer a huge, continuous dynamic range. Having two whole works in the sweller is ideal for both romantic and modern organ pieces. The attenuation of the sweller (just like in the real instrument) is huge (at least 30 dB).

The independent aliquots (fifths, thirds, sevenths,...) allow a more sophisticated and more variable registration, e.g. you can define different Cornets (having more principals, more flute, more sevenths...).

The two mixtures of the main work can be used well together and alone.

Implementing the chamades as a separate work, together with their couplers mean that they can be used from any of the manuals.

The organ is particularly rich in reed pipes. The three trumpets of the main work are not very strong (they can also be used for German Baroque pieces). There is a well-chosen number of reeds in the positive as well (although I know that many find the Clarinet strange); the Basson and the Trompete are stronger, the Dulcian and the Cromorne are quieter but more colorful. The swellwork has the traditional 5 French reeds (it follows the French Romantic traditions both in the way it is built and it is voiced), the solo work features an English horn beside its strong Tuba. The pedal reeds are well-defined but not unpleasantly loud.

The manuals feature 16' stops full of character (Principal, Rohrburdon, Quintatön, Viola and Gedackt).

The quality of the sound samples in the library is extremely high. The microphones used, the applied sound recording technology (e.g. the recording was synchronized to the manuals of the organ) and the software-based post-processing resulted in having the deepest (32') and highest stops of the instrument sound in a balanced way (using a quality monitor speaker or headphones). If you have the chance to use the 24-bit samples, you can hear that the sounds are rich in harmonics, yet they have no noise and sound clearly.

My current computer (Q9650 Core 2 Quad CPU @ 3,33GHz (+10%), 8 GB DDR3-1333,...) allows a polyphony of around 9500. When performing fast pieces, the semi-dry library with short reverberation times (and with subsequent reverbs) is really useful: if you had samples with 6-10 s of reverbs, the computer could not play many stops and couplers. The performance of the computers is ever growing (not mentioning their price), but in case of really large instruments I expect that the only feasible way is to have the reverbs post-processed.

Finally I would like to mention that the architects of the sample library not only sell their product but also provide excellent support (and not only for installation). I received countless pieces of advice from Csaba Huszty, from fine-tuning to implementing secondary reverberation. I am looking forward to their new sample libraries. Their home page is at http://www.inspiredacoustics.com

If you are interested in recordings made with my virtual organ, you can download them from http://www.aticomp.eu/orgona, or you can find some recordings at http://www.contrebombarde.com (username: pasztor).
  (9/10)
Palace of Arts Budapest Pipe Organ Samples - February 14, 2009
Francois Ratte (Quebec, Canada)
=== An organ for the rest of us ===

If you've read Rob Stefanussen review, you already know how great the PAB sample set his, and Rob is a lot more qualify than me to analyse and critic a sample set, being a professional organist. Me, I'm just a really "amateur organist" who loves pipe organs.

I titled my review "An organ for the rest of us"; in the Hauptwerk community there are professionnals, with years of musical training, earning their living playing and teaching the king of the instrument, able to recognize the sound of each and every ranks, who can explain the differences between organs build in different era, who will register the organ exactly as it should for a given piece.... then there is the "rest of us", amateur with a wide range of training (from none to almost professional), who loves the pipe organs and often can only dream to play the "real one".

Hauptwerk with the PAB PRO sample set makes this dream come thru for many of us; the Pro version, with it 92 ranks gives us a wide palette of sounds. From Baroque to modern, you will find the stops that will allow you to play your repertoire.

For the amateur with a limited repertoire, just changing the registration will give a whole new dimension to the piece. Improvising some chords and playing with the crescendo pedal will transform the organ from a little, soft sounding instrument to a monstruous, melodic monster with it Chamade and 32' pedal ranks.

Quality, versatily are to words that perfectly express what this sample set is; but the PAB is available in other versions. A new one is the PAB Medium Edition with CSA (some kind of scientific acronym to basically say "with some nice reverb added"). The PAB is semi/dry samplet set, it is a concert Hall acoustic, not one from a large church or cathedral. Thanks to the magic of convolution, Csaba and his team added some reverb to the Medium Edition.

This 45 ranks, slim down version of the PAB PRO but still powerful instrument, offers a lot "bang" for it price; same great sound quality as the PAB PRO, wide palette of sounds, this set comes out of the box in 2 versions; the semi-dry and the sCSA; the sCSA (s=shorter version CSA) offers an acoutic similar to a good size-church. The sound, articulation remains clear with enough room presence to make you feel "there". My teacher prefers the semi/dry one.... better show the mistakes I make he says! It's up to you to choose. And available as a free download for the Med Edition owners, you can get a third version with a longer version of the CSA, let's call it "cathedral like", lots of presence (better to hide some mistakes...).

Hours of fun exploring the possibilities of this set, great sound, various reverb available. I truly like it.

Is it a "10"... well since perfection doesn't really exist in this world, I'll give it a 9!
  (9/10)
Palace of Arts Budapest Pipe Organ Samples - December 9, 2008
Rob Stefanussen (Utah, USA)
When I heard the first PAB demos, I was concerned by the rather dry acoustics. That didn't change when I first loaded it, either. After playing so much of the Metz and Hinsz, I had become used to the huge acoustic. I've spent a lot of time lately working on some of my pieces, and I've been surprised at how quickly my ears have adjusted.

Over the last few days, I have come to greatly appreciate the clarity and richness of tone that this sample set delivers. All of this is not to say that it's not nice to have a lush acoustic. Fortunately, with this sample set, you don't necessarily have to compromise the lush acoustic for all the other goodies this sample set has to offer.

I played through Fox's "Nun Danket" which starts relatively light and works up to full organ in the end. Anyone who has seen the score knows that this piece is incredibly demanding in terms of registration. Even on the largest sample sets currently available, multiple significant compromises have to be made in the registration of this piece. In contrast, the PAB had everything this piece called for with some headroom for creative additions. I can't tell you how nice it is to actually have stops like a 10 2/3' in the pedal when a piece calls for it! One mark of a world-class organ is not only to be able to register a wide range of pieces with little to no compromise, but also to be able to do so in slightly different ways. From what I've experienced, that would accurately describe this sample set.

Another item which I believe deserves mention is the many features on this organ, and the level of detail with which these features have been implemented. This organ has two enclosed divisions which accurately replicate the original organ's unusually dynamic swell boxes. A welcome change from the current status-quo is the availability of so many flexible couplers. The solo, swell, and positive have unison sub and super couplers, and there are even more options for sub and super coupling between manuals. The PAB organ also has 2 configurable crescendos, which are surprisingly useful due to its large tonal resources. On some smaller instruments, the crescendo is less useful because the changes in registration are about as subtle as a shovel to the face. With the PAB, the crescendo produces a subtle buildup that one could actually consider using in a performance. The highly professional console, stop jamb, and crescendo pages also deserve mention. The PAB sets the bar a few notches higher for virtual organ graphics. The entire console was modeled in 3D, and the appropriate views were rendered using this model. The end result is an amazing virtual console and stop jamb pages that are a pleasure to use. The indicator lights on stops are also very practical without looking too "digital."

The quality of the samples is top notch. The samples are clear, colorful, and convincing. The organ is also very well balanced. I was particularly impressed with the 32' stops in the pedal. I'm also thrilled to have a full compass for a change (time to start learning Lemare's transcription of "Ride of the Valkyries"!)

Price

This sample set screams quality from top to bottom, and that brings me to one of the most important points: price. Currently, sample sets range from about $5 - $25 / stop. From what I've heard, you generally get what you pay for, but that is certainly not always the case. In terms of sound and "look-and-feel", the PAB seems like a very high-end sample set, yet it weighs in at less than $10/stop! Some have suggested that the price of this sample set should be brought down even further. To this I would respectfully disagree. I'd say that the price of the PAB is a steal as it is.

Acoustics

One of the biggest concerns about this organ is the relatively dry acoustics. For me, it's taken a few days to adjust, but I've come to enjoy the out-of-the-box sound of the organ just fine. Having said that, a bigger acoustic is really not that hard to get. I recently tried micdev's wonderful tutorial on Sonar & Pristine Space using demo software. The results were very promising! The tutorial is very well written, and I'd say that anyone that is willing to take the time to go through his step-by-step tutorial would be able to get up and running easily.

If you don't already think that this an absolute must-have sample set, I can't see how the ability to have effective reverb wouldn't make this set a no-brainer for the fence-sitters. I've determined that Sonar and Pristine Space would cost about $350 if you shop around. I'm planning on ordering the software soon. If you went this route, this organ would cost you $1,250 (though the reverb could be applied to any organ). That's still a steal.

Conclusion

All in all, the PAB is a fantastic sample set. The samples are top-notch. The console and stop jamb graphics are way ahead of their time. The price is a steal. The semi-dry nature of this sample set makes it suitable for practice, installation in churches/concert halls, and the addition of convolution reverb. For anyone that's sitting on the fence about this organ: If my experience is any indicator, it would be hard to go wrong with this sample set.

   

 
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